Atomos Ninja V Pro Kit


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The Ninja V Pro Kit has been designed to bridge the gap between compact cinema and mirrorless cameras that can output RAW via HDMI or SDI. Pro Kit also pushes the limits of these cameras, recording up to 12-bit RAW externally on the Ninja’s onboard SSD. Pro Kit also provides the ability to cross covert signals providing a versatile solution for monitoring and playout/review. No RAW, no problem. The Ninja V monitor-recorder is a flexible tool that can work as a HDMI/SDI ProRes monitor-recorder. Unify battery management and excess weight as the Pro Kit is designed to be powered via DTap from your camera battery or rig. Pro Kit also includes a AtomX 5” Sunhood providing increased monitoring options outdoors, and reduced ambient light for when monitoring in HDR.

The robust aluminium 5” monitor-recorder allows for a compact rig setup for camera owners and operators to work with all the latest cameras. Perfect for run and gun productions, documentary filmmaking and for those close-up shots that require the camera operator to be flexible or mobile.

The flexibility to suit every application
In playback mode the Ninja V provides a lossless signal distribution with 2 x 12G SDI and 1 x HDMI 2.0 for simultaneous outputs up to 4Kp60. When used in combination with the Ninja’s playlist functionality it provides a fast and convenient way to review content or show a highlight reel.

Accurate and reliable / daylight viewable HDR or SDR
With 1000nits, high pixel density the 5” screen provides clear and accurate monitoring for HDR and SDR. Using the AtomHDR engine the Ninja V provides a managed colour pipeline, matching the camera Gamma and Gamut on the input and select to view this as 709, Log with a 3DLUT or utilize the engine to accurately map the dynamic range of your camera LOG to HLG or PQ HDR standards.

HDMI-to-SDI cross conversion
Adding the SDI module to the Ninja V platform more than doubles it’s I/O functionality. To complement the inputs, HDMI or SDI connections can be cross converted, DCI cropped and 4k to HD down converts for video signals to provide a bridge between equipment such as EVFs, wireless TX/RX without the need for additional convertors.

Key Features

  • Record up to 6k RAW via both HDMI and SDI at up to 12-bit in Apple ProRes RAW. Video inputs up to 4kp60 supported via HDMI or 12G SDI to Apple ProRes or Avid DNx.
  • Configurable SDI for single or dual link inputs or toggle between SDI A and B.
  • Play out provides 3 simultaneous outputs via 2 x 12G SDI out and 1 x HDMI in 10-bit up to 4kp60.
  • HDMI <=> SDI signal cross conversion with, RAW to Video output option.
  • Connect to your DTap power source with the locking DTap cable and battery eliminator.
  • AtomX 5” Sunhood provides increased monitoring options and reduced ambient. AtomHDR for Log inputs and 3D Luts.

Technical Specifications

Physical Specifications
Weight (Monitor Only) 360g / 12.7oz
Dimensions (Monitor Only) 151 x 91.5 x 31mm
Mount Points 1 x Anti rotation 1/4" / 3/8 top and bottom
Body Aluminium with ABS plastic
Cooling Active Tally Light Record
Tally on rear
AtomXpansion Slot Yes
Input voltage (battery) 6.2V to 16.8V
Operating Power 5.8-7.2v
Compatible Batteries NPF L series
Battery Run Time 5200mAh – up to 2hrs (monitor & record 4K 60p) 7800mAh – up to 3hrs (monitor & record 4K 60p)
DC In via Battery eliminator
Touchscreen SuperAtom IPS panel (capacitive touch)
Size 5”
Resolution 1920 x 1080 PPI 427
Bit Depth 10-bit (8+2 FRC)
Backlight Edge lit
Aspect Ratio 16:9
Color Gamut Rec.709
AtomHDR Technology Log to Native / Rec709/ 3D Lut / HLG / PQ
3D LUT Support Diplay / Preview / Loop out
HDR Monitoring Technology HLG and PQ
HDR Output Conversion Log / HDR to HLG / PQ / Dolby Vision
Gamma Sony SLog /SLog2 /SLog3, Canon CLog /CLog2 /Clog3, Arri Log CEI160 / LogCEI200 /LogCEI250 /LogCEI320 /LogCEI400 /LogCEI500 /LogCEI640 / LogCEI800 /LogCEI1000 /LogCEI1280 /LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm /Log3G10 /Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut BT2020, DCI P3, PDCI p3 65, Sony SGamut /SGamut3 /SGamut3.cine /Canon Cinema /DCI P3 /DCI P3+ /BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor
Video Input
HDMI 1 x HDMI (2.0) 4kp60
SDI 2 x 12G SDI Backward compatible via included AtomX SDI module
SDI RAW Yes (NOTE: Sony FS700, FS5, FS7 NOT supported)
Signal (Camera Dependent)?? Uncompressed true 10-bit or 8-bit 422
LTC (Record Mode Only) Optional Wireless RF via SYNC module
Video Output
HDMI 1 x HDMI (2.0) 4kp60
SDI (Play Out) 2 x 12G SDI via included AtomX SDI module – level A and B selectable
Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
Video Signal Conversion
HDMI to SDI Yes – Video and RAW
SDI to HDMI Yes – Video and RAW
Audio In/Out
Audio Quality?? 24/48kHz
Audio Codec?? PCM
HDMI 8ch 24-bit, input dependent
SDI 12ch 24-bit, input dependent
Analogue Audio in 3.5mm 2ch.
Headphone out?? 3.5mm 2ch.
Supported Codecs & Frame Rates (Record & Playback)
Supported Resolution & FPS?? 6k: RAW Only up to 30p via HDMI and SDI (Camera dependent 5.9k HDMI and 5.7k SDI) 4k DCI: 23.98/24/25/29.9/30/50/59.94/60p 4k UHD: 23.98/24/25/29.9/30/50/59.94/60p 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / FX9 RAW up to 180p 1080p: 23.98/24/25/29.9/30/50/59.94/60/100/120p 1080i: – 23.98/24/25/29.9/30/50/59.94/60i 720p: 50/59.94/60p PsF – converted to P and looped out PsF
Anamorphic 3.5k: RAW up to 60p (from supported cameras only)
Apple ProRes Raw ProRes RAW HQ, ProRes Raw
Apple ProRes ProRes LT, 422, HQ
Avid DNx (Requires Free codec activation) AVID DNxHR HQX. HQ, SQ, LB
AVID DNxHD 35, 145, 220, 220x
Playlist / Genlock / LTC Yes / No / No
Loop Yes with in and out markers
Playlist Yes
Apple ProRes Raw Yes
Apple ProRes Yes, with Linear PCM audio
Avid DNx (Requires Free codec activation) Yes, with Linear PCM audio
Recording functions & Media??
Pre-roll Record Yes (HD 8s, 4K 2s) – Not available in RAW
Timelapse Yes
Media Type Master Caddy II / SSDmini
File Naming Scene, Shot, Take / File name via SDI for Arri and RED
Supported Editing applications?? All NLE applications that support Apple ProRes, ProRes RAW and Avid DNxHDR/HD in .MOV
On Screen Tools
Scopes Luma Waveform RGB Parade Vector Scope
Magnification 1 x Zoom 2 x Zoom
Focus Peaking Colour selected / threshold setting / colour / Mono / edges only
False Color Yes, with scale
Zebra Yes, adjustable
Isolate Color Channel Blue Only
Cut Tag Edit markers Yes, Playback mode
Cine Frame Guides 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides 9:16, 1:1, 191:1, 4:5
Safe Areas Action and Graphic
Grid Markers 9 Grid
Anamorphic Desqueeze 1.25x 1.33x , 1.5x ,1.8x ,2x
Display Flip Vertical Only
3DLUT 50/50 Yes, on screen preview
Time Of Day Yes
Wireless RF Optional Via Sync Module
Bluetooth LE Optional Via Sync Module
Onboard Processing
Pulldown Removal 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)
4K UHD Downscale for HD Yes – On Loop-out
DCI Crop Yes – On Loop out
Remote control
HDMI Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
LANC 2.5mm Jack?? LANC control and calibration v
Standard?? 1 year. Extended to 3 years on product registration
What??s in the box
Ninja V with SDI RAW Pre-Activated, AtomX SDI module
1 x Battery eliminator
1 x international DC power supply
1 x Dtap Cable
1 x AtomX 5?? Sunhood
1 x Master Caddy II Optional Extras Power kit, HDMI cables, US


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