Atomos Shogun Studio II 4K Dual Recorder/Dual Monitor

Atomos Shogun Studio II 4K Dual Recorder/Dual Monitor

The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7” HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.

The Shogun Studio 2 records either two channels of 4Kp60, or up to eight HDp60 sources in industry standard Apple ProRes, ProRes RAW and AVID DNx codecs. Free your workflow from the constraints of highly compressed GOP based codecs and their associated artifacts. Replace them with clean images captured direct from the sensors of your camera channels using modern Intra-frame codecs.

Both ProRes and DNx are robust, easy to edit, color accurate production codecs used throughout the industry. You can even take this one step further and record ProRes RAW from a wide range of cinema cameras for maximum fidelity.

Playback and Edit
Review or play out your footage directly on the Shogun Studio 2 using the innovative touchscreen controls. Playback and play out up to 4Kp60 video, or 2K/HD high frame rate footage slowed down in the unit itself. Playlists can be created from clips either recorded on an Atomos recorder, or from your edIt'system in a supported codec, resolution and frame rate.

The Shogun Studio 2 only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges or in small mobile broadcast vehicles. Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.

The Shogun Studio 2 offers Pre-Roll recording with an 8 second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi Camera ISO recording and switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two videos switched.

ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever-growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.

The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.

Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.

The dual 7” screens of the Shogun Studio 2 have advanced dynamic zoned backlighting for deeper blacks and brighter whIt's, while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, color and white balance.

Technical Specifications

Dimensions (W x H x D mm)
447 x 152 x 280mm, 17.6 x 6.0 x 11.0” (without rack ears), 490 x 152 x 280mm, 19.3 x 6.0 x 11.0” (with rack ears)
Weight
5.0kg / 11lb
Rack height
3U
Mount points
Removable rack ears and desktop feet
Dual recorder
Dual Screen, Recorder and switcher
Environmental
Ambient operating temperature
Up to 40 Degrees C
Construction and Control
Body
Aluminum alloy chassis
Cooling
Actively controlled fans and Heat Sink
Tally light
On front
Multi-function button
Trigger dual record
Power
Continuous power
Dual PSU
DC in connector
Dual IEC C14
Display
Touchscreen
SuperAtom IPS panel (capacitive touch)
Size
Dual 7.2”
Resolution
Dual 1920 x 1200
PPI
327 per screen
Bit depth
10-Bit (8+2 FRC)
Backlight Type
Dynamic zoned back light 3", Dynamic Full Array Local Dimming (FALD) 360 Zones
Brightness (cdm2 / nits)
1500 / 3000 Peak HDR brightness
Aspect ratio
16: 9
Color Gamut
Rec.709
Calibration support
Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Color Pipeline
Gamma
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut
Bt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display
. Cube Format Display Only
3D LUT Output
Loop out
3DLUT 50/50
Yes
Monitoring Modes
Native / HLG / PQ / 3D LUT
HDR output Conversion
Log / HDR to HLG / PQ / Dolby Vision
Video Input
HDMI
1 x HDMI (2.0) 4k p60
SDI
Quad link 3G SDI, with 2 x 12G SDI Backwards compatible Auto detection per recorder channel
SDI RAW
Apples ProRes RAW up to 6k
RJ45 / Network
Service Only
Bit Depth
8/10-Bit Video / RAW up to 16-Bit
Video Chroma Subsampling
4:02:02
HDCP copy protection
No supported
Metadata
HDMI
RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
SDI
File Name from Arri, RED
Video Output
HDMI
1 x HDMI (2.0) 4k p60
SDI loop out
1 x 2 x 12G SDI Backwards compatible Auto detection
SDI Play out
2 x2 x 12G SDI Backwards compatible Autodetection level A and B selectable
Video Chroma Subsampling
422
Bit Depth
10-Bit Video
Web Streaming
USB UVC
Optional via Connect 4k
Video Signal Conversion
HDMI to SDI
Yes - Video and RAW
SDI to HDMI
Yes - Video and RAW
Audio In/Out
Audio Quality
24/48kHz
Audio Codec
PCM
HDMI
8ch 24-Bit, input dependent
SDI
12ch 24-Bit, input dependent
Analogue Audio in
2 x XLR Per recorder channel
Analogue Audio Out
2 x XLR Per recorder channel
Headphone out
3.5mm 2ch.
Timecode / Sync
Embedded
HDMI and SDI
Time of day
Yes, Time and Date
LTC
LTC via BNC in/out Record mode
Genlock
GenLock in/out Playback mode
Resolution and Frame Rates (Record, Monitor & Playback)
6k
RAW Only up to 30p via SDI Only
4k DCI
23.98/24/25/29.9/30/50/59.94/60p
4k UHD
23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080
2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
FHD 1920 x 1080 Progressive
23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF
Converted to P and looped out PsF
FHD 1920 x 1080 Interlaced
23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p
50/59.94/60p
Recording CODEC
CDNG
For SDI RAW inputs Only
Apple ProRes RAW
ProRes RAW, HQ
Apple ProRes
LT, 422, 422HQ
Avid DNxHD
DNxHD 220x,220,145,36
Avid DNxHR
LB, SQ, HQ, HQX.
Playback
Playlist
Yes, Create customer play lists from full or sub clips
Loop
Yes, with user customizable in / out markers
Apple ProRes Raw
Yes, recorded clips
Apple ProRes
Yes, with Linear PCM audio
Avid DNx
Yes, with Linear PCM audio
Recording functions
Pre-roll record
Yes (HD 8s, 4K 2s) - Not available in RAW
ISO Record
Up to 8 x up to 1080p 60 (3G SDI Level A ONLY) 4 Per recorder channel
Switched Program Record
Yes, up to 1080p 60
Multi Input / Switching
SDI A/B toggle
Yes, Up support up to 12G SDI per input
Dual Input display
Via Multi ISO input mode
Multiple SDI input
Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Input transitions
Auto or manual XML transition
Supported media
Master Caddy I
Not compatible
SSDmini
Yes, BUT ONLY with optional Grab handle
File Naming
Unit Name - Scene/Shot/Take, Arri & RED via SDI
File System
ExFAT
On screen tools
Waveform
Yes, 3 size / Position
RGB parade
Yes, 3 size / Position
Vector scope
Yes, 2 size / Position
1 x Zoom
Yes. 1:1 Pixel mapping for 4k
2 x Zoom
Yes
Focus peaking
Color selected / threshold setting / color / mono / edges only
False color
Yes, with Scale
Zebra
Yes, Adjustable
Isolate color channel
Blue Only
Cine Frame Guides
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides
9:16, 1:1, 191:1, 4:5
Safe areas
Action and Graphic
Grid markers
9 grid
Anamorphic desqueeze
1.25x 1.33x, 1.5x ,1.8x ,2x
Display Flip
Vertical Only
Onboard Signal Processing
Pulldown Removal
24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
4K UHD Downscale for HD
Loop out - 4K UHD to FHD
DCI Crop
Loop out - 17:9 to 16:9 Crop
Remote control
HDMI
Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
SDI
SDI trigger camera selectable
Serial 2.5mm Jack
LANC control and calibration via optional USB to serial cable
RJ45
Service Only
RS422
Yes, Qualified controllers only
Supported Applications
XML
Cut tag EDL and Multcam with transitions in FCPX XML
Apple ProRes RAW
Apple FCPX, Adobe Premier, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light.
Video Codecs
All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
What’s in the box
Accessories included
Shogun Studio 2, 2 x rack ears with screws, 4 x rubber feet with screws, 2 x IEC power cable, 2 x HDMI cable, 5 x Master caddy II
Optional extras
Powerkit, UltraSync One,HDMI cables, USB to serial cable,
Warranty
Standard
1 year. Extended to 3 years on product registration